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Abercrombie, Joe
Achebe, Chinua
Adams, Richard
Ambrose, Stephen E
Anderson, M. T.
Angelou, Maya
Asimov, Isaac
Atwood, Margaret Eleanor
Austen, Jane
Baldwin, James
Banks, Iain M.
Bardugo, Leigh
Beatty, Paul
Bellefleur, Alexandria
Bester, Alfred
Bradbury, Ray
Brandt, Anthony
Brontë, Charlotte
Brontë, Emily
Brooks, Terry
Brown, Daniel
Bryson, Bill
Buck, Pearl S.
Burgess, Anthony
Capote, Truman
Carey, Jacqueline
Carroll, Lewis
Carson, Rachel
Chandler, Raymond
Child, Julia
Christian, Brian
Christie, Agatha
Clarke, Susanna
Coelho, Paulo
Cohen, Leonard
Collins, Wilkie
Conrad, Joseph
Cook, Glen
Cooper, Susan
Crichton, Michael
Csikszentmihalyi, Mihaly
Dahl, Roald
Defoe, Daniel
DeMarco, Tom
Dick, Philip K.
Dickens, Charles
Doerr, Anthony
Doyle, Arthur Conan
Eckert, Allan W.
Eggers, Dave
Eliot, T. S.
Ellroy, James
Faulkner, William
Ferlinghetti, Lawrence
Fey, Tina
Feynman, Richard Phillips
Fitzgerald, F. Scott
Flynn, Gillian
Foo, Stephanie
Forester, C. S.
Frank, Anne
Gaiman, Neil
Gamma, Erich
Gibbons, Stella
Gibson, William
Gladwell, Malcolm
Graeber, David
Grandin, Temple
Grisham, John
Guin, Ursula K. Le
Haddon, Mark
Hari, Johann
Harris, Thomas
Haupt, Lyanda Lynn
Hawking, Stephen
Hawthorne, Nathaniel
Hazelwood, Ali
Heinlein, Robert A.
Heller, Joseph
Hemingway, Ernest
Herbert, Frank
Hesse, Hermann
Higginbotham, Adam
Hillenbrand, Laura
Hilton, James
Hinton, S. E
Hobbes, Thomas
Hoover, Colleen
Hope, Anthony
Hudson, W. H
Hugo, Victor
Huxley, Aldous
Isaacson, Walter
Jackson, Shirley
Jaku, Eddie
James, Henry
Johnson, Maureen
Jordan, Robert
Joyce, James
Kafka, Franz
Kahneman, Daniel
Kalanithi, Paul
Kelly, Erin
Kerasote, Ted
Kerouac, Jack
Kesey, Ken
King, Stephen
Kleypas, Lisa
Krakauer, Jon
Kuang, R. F.
Kurson, Robert
Larsson, Stieg
Laxness, Halldór
Lee, Harper
Lem, Stanisław
Lewis, C. S.
Lindhout, Amanda
London, Jack
Lowry, Malcolm
Malone, Dumas
Malory, Thomas
Mandel, Emily St. John
Maurier, Daphne Du
McCarthy, Cormac
McCourt, Frank
McCullough, David G.
McDougall, Christopher
McIntyre, Vonda N.
McKillip, Patricia A.
Merton, Thomas
Miéville, China
Miller, Madeline
Milton, John
Mitchell, Margaret
Moore, Kate
Morris, Edmund
Morrison, Toni
Mukherjee, Siddhartha
Munroe, Randall
Murray, Paul
Nabokov, Vladimir Vladimirovich
Nelson, Willie
Niven, David
Noah, Trevor
O'Brien, Flann
O'Brien, Tim
Orwell, George
Parry, Richard Lloyd
Plath, Sylvia
Pratchett, Terry
Preston, Douglas J.
Reisner, Marc
Rice, Anne
Robbins, Tom
Roth, Philip A.
Rowling, J. K.
Saavedra, Miguel de Cervantes
Sagan, Carl
Salinger, J. D.
Sapolsky, Robert M.
Saunders, George
Scott, Walter
Shannon, Samantha
Shearer, Eleanor
Shelley, Mary Wollstonecraft
Shriver, Lionel
Siegel, Seth M.
Silver, Josie
Silverstein, Shel
Simmons, Dan
Singh, Simon
Skloot, Rebecca
Sledge, E.B.
Springsteen, Bruce
Steinbeck, John
Stephenson, Neal
Stevenson, Bryan
Stevenson, Robert Louis
Stoker, Bram
Stone, Irving
Styron, William
Swift, Jonathan
Thoreau, Henry David
Tolkien, J. R. R.
Tolstoy, Leo
Toole, John Kennedy
Turow, Scott
Twain, Mark
Tyson, Neil deGrasse
Updike, John
Vonnegut, Kurt
Walker, Alice
Walls, Jeannette
Wariner, Ruth
Weir, Andy
Wells, H. G.
White, Antonia
White, E. B.
Whitman, Walt
Wilde, Oscar
Woolf, Virginia
Zusak, Markus
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Summary
Cormac McCarthy's tenth novel, The Road, is his most harrowing yet deeply personal work. Some unnamed catastrophe has scourged the world to a burnt-out cinder, inhabited by the last remnants of mankind and a very few surviving dogs and fungi. The sky is perpetually shrouded by dust and toxic particulates; the seasons are merely varied intensities of cold and dampness. Bands of cannibals roam the roads and inhabit what few dwellings remain intact in the woods. Through this nightmarish residue of America a haggard father and his young son attempt to flee the oncoming Appalachian winter and head towards the southern coast along carefully chosen back roads. Mummified corpses are their only benign companions, sitting in doorways and automobiles, variously impaled or displayed on pikes and tables and in cake bells, or they rise in frozen poses of horror and agony out of congealed asphalt. The boy and his father hope to avoid the marauders, reach a milder climate, and perhaps locate some remnants of civilization still worthy of that name. They possess only what they can scavenge to eat, and the rags they wear and the heat of their own bodies are all the shelter they have. A pistol with only a few bullets is their only defense besides flight. Before them the father pushes a shopping cart filled with blankets, cans of food and a few other assets, like jars of lamp oil or gasoline siphoned from the tanks of abandoned vehicles—the cart is equipped with a bicycle mirror so that they will not be surprised from behind. Through encounters with other survivors brutal, desperate or pathetic, the father and son are both hardened and sustained by their will, their hard-won survivalist savvy, and most of all by their love for each other. They struggle over mountains, navigate perilous roads and forests reduced to ash and cinders, endure killing cold and freezing rainfall. Passing through charred ghost towns and ransacking abandoned markets for meager provisions, the pair battle to remain hopeful. They seek the most rudimentary sort of salvation. However, in The Road, such redemption as might be permitted by their circumstances depends on the boy’s ability to sustain his own instincts for compassion and empathy in opposition to his father’s insistence upon their mutual self-interest and survival at all physical and moral costs. The Road was the winner of the 2006 Pulitzer Prize for Literature. ([source][1]) [1]: https://www.cormacmccarthy.com/works/the-road/
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